This analysis of The Giant Wistaria (1891) — a chilling short ghost story by classic feminist author Charlotte Perkins Gilman was contributed by Jillian McKeown, excerpted from Feminist Short Stories: Horror & Sci-Fi (Part 1).
It’s shocking once you’ve finished “The Giant Wistaria” to realize that it was published in 1891, when it seems as if it were written not so long ago.
The story takes place during two time periods, the 1700s and the 1800s. The former century begins with an English family and we’re dropped into the middle of the most scandalous of family dramas — their daughter has just given birth out of wedlock, and the parents are fleeing to England to escape any disgrace to their family name. Read More→
“A Good Man is Hard to Find,” a 1953 short story by Flannery O’Connor, remains one of this author’s most controversial works.
This story by author of modern Southern gothic was first published in 1953 in an anthology of modern writing, and in 1960, it was the eponymous title of O’Connor’s own anthology of her collected short stories. Because it has appeared in many anthologies, this story is one of her best known, if not necessarily her best.
The story begins as a man named Bailey wishes to take his family on a road trip from Georgia to Florida. His mother, who is simply called “the grandmother” argues that they should go to East Tennessee instead. She has seen a news article in the Atlanta Journal-Constitution that escaped murderer called “The Misfit” was spotted in Florida. Read More→
This analysis of Herland, the 1915 utopian novel by Charlotte Perkins Gilman is excerpted from an in-depth review on Exploring Feminisms.
Years ago, I bought Herland after reading The Awakening by Kate Chopin, craving that same satisfied woman-centered feeling that I was left with as I closed Chopin’s book. As I read the first few pages of Gilman’s Utopian text about a land of only women, I noticed that it was from a man’s point of view and immediately lost interest.
I had very little interest in a man’s perspective, even if it was written by a woman. Recently, Herland has been on my mind and decided to pick it up again. Read More→
Mules and Men is a 1935 ethnographical collection by Zora Neale Hurston, one of the most celebrated writers to come out of the Harlem Renaissance.
It’s well known that Zora was an incredible storyteller, evidenced by novels including Their Eyes Were Watching God, as well as numerous short stories. She was an accomplished ethnographer as well.
Zora was the first black student at Barnard College, the women’s college connected with Columbia. She studied with the noted anthropologist Franz Boas, who recognized her talent and abiding interest in the black cultures of the American South and Caribbean. Boas urged her to pursue more research, something that Zora loved to do. Read More→
From the 1970 Scribner’s edition of Madame de Treymes: Four Novelettes by Edith Wharton: The four novellas by Edith Wharton in this volume are Madame de Treymes, The Touchstone, Sanctuary, and Bunner Sisters, written between 1900 and 1916. Read More→
“Crazy for this Democracy” is a biting, trenchant essay by Zora Neale Hurston, first published in The Negro Digest in December, 1945. Following is a sampling of quotes from this wonderful piece of writing.
It was published when, after having served the country overseas to fight tyranny, Black servicemen and women returned to find that they still didn’t have the basic rights at home that they had fought for abroad. Segregation was still the rule rather than the exception in education, employment, housing, and more.
Though this essay speaks directly to that era’s Jim Crow laws in the U.S., it is still, sadly, applicable in many ways to today’s climate in America, where “othering” is growing more acceptable.
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Dorothy West (1907 – 1998) was the last surviving member of the Harlem Renaissance movement of the 1920s. The Richer, The Poorer, published in 1995, is collection of her short stories and essays spanning nearly seventy years of West’s writing.
Though she didn’t produce a large body of work, West’s writing is admired for its nuanced views of middle and upper middle-class African-American communities and its examinations of gender, class, and social structure.
Her first novel, The Living is Easy (1948), depicts the life of an upper-class black family. It remained her only novel for decades, until The Wedding was published in 1995, the same year that The Richer, The Poorer was published.
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“I want to be alone for a whole summer, and get to the very dregs of life. I want to be as idle as I can, so that my soul may have time to grow. Nobody shall be invited to stay with me, and if anyone calls they will be told that I am out, or away, or sick . . . Wouldn’t a whole lovely summer, quite alone, be delightful?”
That is what the narrator of The Solitary Summer wants, she being the fictional alter ego of the author Elizabeth von Arnim (who at the time of publication was known only as the anonymous “author of Elizabeth and Her German Garden.” Read More→
