Little Women, the beloved 1868 novel by Louisa May Alcott (1832 – 1888), follows the lives of the four March sisters — Meg, Jo, Beth, and Amy. The 1994 film adaptation of Little Women highlighted the coming of age of strong-willed, tomboyish Jo, who was as much of its standout character as she was in the novel.
With a screenplay by Robin Swicord, and directed by Gillian Armstrong (also the director of the wonderful 1979 film version of My Brilliant Career) , this was the fifth feature film adaptation of Alcott’s classic Little Women. It followed silent versions released in 1917 and 1918; director George Cukor’s 1933 film; and a 1949 adaptation by Mervyn LeRoy. The film was released nationwide on Christmas Day of 1994 by Columbia Pictures.
“Through my tears I found god in myself and I loved her fiercely” is perhaps the most iconic quote from For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf by Ntozake Shange (1948 – 2018). For Colored Girls has touched many hearts since it premiered in 1976. The 2019 production of For Colored Girls at SUNY New Paltz was one such powerful and emotional presentation of Shange’s play.
For Colored Girls was Shange’s first work and remains her most acclaimed theatre piece, consisting of twenty captivating poetic monologues representing black sisterhood in a racist and sexist society. Shange describes her work as choreopoem, a form of dramatic expression incorporating poetry, dance, music, and song. This term was coined in 1975 by Shange herself to describe this work. Read More→
Giant, the 1956 film, was based on the epic 1952 novel of the same title by Edna Ferber. The saga of a wealthy Texas ranching family, the film starred Elizabeth Taylor, Rock Hudson, and James Dean, with appearances by Chill Wills, Mercedes McCambridge, Carroll Baker, Jane Withers, Dennis Hopper, Sal Mineo, and Rod Taylor.
Giant was notable for being James Dean’s final film performance before his tragic death in a car accident. He was nominated posthumously for an Academy Award nomination for his portrayal of Jett Rink, a poor but ambitious ranch hand. Read More→
How can Charlotte Brontë’s masterwork, be crammed into a time frame of just over an hour and a half? This feat of compression was accomplished by Hollywood for the 1943 film version of Jane Eyre. To clear up any confusion, the film was released at the end of 1943 in Britain, and had its American release of February, 1944.
Nearly a quarter of the film covers young Jane’s torturous experience at the Lowood School, based on the actual place that Charlotte and her sisters attended in Yorkshire. The experience proved fatal for one of the Brontë sisters, Maria, who became gravely ill and died. Read More→
The 1940 film version of Rebecca, based on Daphne du Maurier’s 1938 novel of the same name, was a psychological thriller with nod to the gothic tradition. The black-and-white film, which captured the moody, mysterious feel of the book, was the first American film by director Alfred Hitchcock.
Joan Fontaine starred in the role of the naïve young woman who marries a brooding widower Maxim de Winter, portrayed by Laurence Olivier.
Rebecca, the departed first wife of de Winter, is never seen in the film, but casts a powerful shadow over the inhabitants of Manderlay castle. The suspense builds until we learn just why that is. Read More→