Literary Ladies Guide

Journalist, short story writer, and lecturer Nalbro Isadora Bartley (1888 – 1952) published at least twenty-five novels between 1919 and 1934, sometimes releasing two in a year. The Fox Woman (1928) was her 19th novel. 

At the start of The Fox Woman, whose cover blurb says, “The Fox Woman ever takes but never gives,” we are in the 1880s. Gender-neutrally-named “tomboy” Stanley is only seven but already her widowed father, Millard Ames, is in awe of her.

“There was something about Stanley that he could not gainsay— something so persuasive yet determined that he found himself yielding to her slightest request.” Stanley’s mother died in childbirth and her father has since dedicated himself to her, as his late wife’s friend Maggie has dedicated herself to him, though with no expectation of reciprocity. Read More→

Georgia Douglas Johnson’s poetry was first published in NAACP’s The Crisis in 1916, and was subsequently included in the premier Black journals and anthologies of the 1920s. Georgia was an important figure in the Harlem Renaissance movement of the 1920s. Presented here is the full text of An Autumn Love Cycle, her third collection, published in 1928.

Though Black women’s poetry was regularly featured in the era’s periodicals, an entire collection by one writer was a rarity. Georgia published three poetry collections in the span of six years; one more was to come decades later.

Her first collection, The Heart of a Woman (1918) featured poems both specific to Georgia’s life yet universal to the female experience, speaking of love, loneliness, and women’s constrained roles. Decades later, the title of this book (and its eponymous poem) would inspire Maya Angelou’s 1981 memoir of the same name. Read More→

If you love learning about fascinating women of the past, but aren’t inclined to read full-scale biographies that take you from the second they were born (or earlier) to the minute they died, another fantastic route into their lives is via novelizations, also known as biofiction.

This type of novel usually focuses on a particularly interesting portion of a fascinating real-life person’s journey. This seems to be a growing genre, and when done well, as in the small sampling following, is entertaining as well as illuminating.

To create these novelizations successfully requires a delicate balance involving deep research and creative license.  Here’s a small sampling. Read More→

The Technique of the Love Affair (1928) sums up the new attitude toward men, sex, and relationships of the modern woman in the late 1920s perfectly, not to say outrageously and shockingly.

It gives cynical and completely amoral guidance to young women on how to master and dominate men without ever falling under their spell; the woman who follows its advice will always be in control, never be in love and never be subservient to a man, says the author.

Although the book always has its tongue firmly in its cheek, and although it is no doubt intended as comic relief, it still probably presents and represents the thinking of the dedicated 1920s flapper better than any other book of the period, fictional or otherwise. Read More→

There’s a lot of hoopla around 2025 being the centenary of The Great Gatsby by F. Scott Fitzgerald, published in 1925. It’s the quintessential novel of what’s come to be known as the Jazz Age.

But it’s not the only centenary worth celebrating in 2025. There was some great 1925 fiction that came from the pens (and typewriters of women writers, including Virginia Woolf, Zora Neale Hurston, Willa Cather, Anita Loos, Anzia Yezierska, and more.

Poor Scott Fitzgerald didn’t live long enough to see the lasting legacy of his work (he was gone by 1940, at the age of 44). There’s a LOT (this is the listing on Google News alone) of news and editorializing about Gatsby. It’s kind of cool that a book is getting so much attention in the midst of all the horrors we’re living through — kind of a testament to the power of literature. Read More→

Edna St. Vincent Millay was just nineteen when she began to compose “Renascence” some time toward the end of 1911. Written at a time of uncertainty about her future, it was a poem about herself, yet it dealt with the common human struggle to find hope when everything seems hopeless.

She had been an outstanding student in her tiny Maine high school, and a star contributor to the popular children’s publication St. Nicholas Magazine. Once she had passed the age limit (eighteen) for submissions, she was left without an outlet for her poetry.

Fighting despair, she grasped that no one could save her but herself. “I must exert every atom of my will and lift myself body and soul — above my situation and my surroundings …” Read More→

Elaine Lobl Konigsburg, known as E.L. Konigsburg (February 10, 1930–April 19, 2013) was a prolific American writer and illustrator of books for children and middle grade readers.

In 1967, she published her first children’s book, Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth. That same year, her second book, The Mixed-Up Files of Mrs. Basil E. Frankweiler, was also published. (Photo above right by Ron Kunzman)

E.L. Konigsburg’s first book won the 1968 Newbery Honor, and her second won the 1968 Newbery Medal. Though not written at the same time, both were published the same year due to an interesting turn of events. Read More→

Saving Vincent: A Novel of Jo van Gogh (She Writes Press, April 15, 2025) by Joan Fernandez is based on the true story of the fascinating woman who singlehandedly rescued Vincent van Gogh’s artistic legacy (Photo at right, Jo in 1889; photo courtesy of Wikimedia Commons). Here, Joan introduces her novel:

In 1891, timid Jo van Gogh-Bonger lived safely in the background of her art dealer husband Theo’s passionate for selling work by unknown artists, especially his ill-fated, deceased brother Vincent.

When Theo van Gogh died unexpectedly, Jo’s brief happiness was shattered. Her inheritance—hundreds of unsold paintings by Vincent—was worthless. Pressured to move back to her parents’ home, Jo defied tradition, opened a boarding house to raise her infant son alone, and chose to promote Vincent’s art herself. Read More→