Edith Wharton, Grande Dame of American Literature

By Nava Atlas | On March 28, 2018 | Updated August 18, 2023 | Comments (0)

Edith Wharton (January 24, 1862 – August 11, 1937), was born Edith Newbold Jones in New York City. One of the Grande Dames of American letters, everything about her — from her wealthy background to her stately demeanor — suggests a woman in possession of herself.

Beneath the surface, however, was a deep insecurity about her talent and abilities. Fortunately, it was one she gradually overcame in a substantial way.

Most of us have heard the expression “Keeping up with the Joneses.” But it might come as a surprise that this doesn’t refer to a hypothetical family, but Edith Wharton’s parents, George Frederic Jones and Lucretia Rhinelander Jones.

A privileged childhood

Born into the rarified late nineteenth-century world of wealth and privilege, her formative years consisted of riding, balls, coming-out parties, teas, and extended stays in Europe. In addition to the socially prominent Jones and Rhinelander families of her parents, she was also related to the equally rarified Schermerhorns.

When Edith was just four years old, she traveled throughout Europe with her parents, with stays in Spain, Germany, Italy, and France. Upon returning to New York, she was educated by private tutors.

Despite having homes in New York City and Newport, and the kind of money that gained them access to the finer things in life, culture and learning weren’t particularly valued by the Jones family. And though Edith lacked for nothing, it was a less-than-ideal upbringing for a bookish, dreamy girl.

. . . . . . . . . .

Edith Wharton at around eight years old;
painting by Edward May Harrison, 1870
. . . . . . . . . .

Writing wasn’t proper for a society girl

As a fledgling writer, she received out-and-out disapproval from those closest to her, including her mother and society friends, who thought that literary pursuits were beneath a person of her class. From social climbing husband Edward “Teddy” Wharton, she received nothing but indifference.

Insecurity about her talent and abilities plagued her for years, and she admitted to suffering from terrible shyness and lack of self-confidence. Later, as she gained confidence, she shared frank recollections on her writing life — both the joys and the challenges.

. . . . . . . . . .

Wharton fans will love visiting The Mount
. . . . . . . . . .

Teddy Wharton and The Mount

In April 1885, Edith Jones married Edward “Teddy” Robbins Wharton in New York City. Some years later, she designed and built The Mount, an imposing mansion with extensive grounds in Lenox, MA. She lived there with Teddy Wharton from 1902 to 1911.

Teddy’s drinking and struggles with mental illness made for an unhappy marriage. Upon the couple’s divorce in 1913, Edith moved to France. In Edith Wharton: A Woman in Her Time (1971) Louis Auchincloss sums up the story of the marriage: 

“She and Teddy were married at a time when she had no reason to believe that she would not always be satisfied with the social life of a New York society matron whose spouse Teddy seemed perfectly qualified to be.  This life rapidly bored her, and Teddy lacked the ability to either dominate her or to interest her.

She took up traveling, decorating, and finally writing to compensate for the frustrations of her married life, and in so doing she discovered that she was made for a totally different existence. Teddy’s near-lunatic temper and their childlessness made a bad situation impossible.

In the end the only thing she could do was to cut loose and start afresh, in a new country, without a spouse.”

. . . . . . . . . .

Edith Wharton’s Struggles with Self-Doubt
. . . . . . . . . .

Tiptoeing into publishing

Like many authors, Edith started out by writing shorter pieces and poetry. Fast and Loose, a little-known novella, was published in 1877 when she was only fourteen; Verses, a collection of poems, was privately printed the following year. Her poems were first published nationally in Scribner’s Magazine, and in 1891, they published the first of many of her short stories.

She tiptoed into the publishing of books with The Decoration of Houses (1897). Another in this genre, Italian Villas and Their Gardens, came a bit later (1904).

Her early literary reputation was built on small successes, as well as the welcome friendship and constructive critique of one who did believe in her talent, Walter Berry, a lifelong confident for whom she carried a torch (and whose grave in Paris is next to hers).

Wharton’s first collection of short stories was titled The Greater Inclination (1899). Its publication helped her to finally accept herself as a professional writer and not a dilettante. She vowed to turn away from the “distractions of a busy and sociable life, full of friends and travel and gardening for the discipline of the daily task.”

As she wrote in her memoir, this is when she went from being “a drifting amateur in to a professional,” and most importantly, “gained what I lacked most—self confidence.”

The House of Mirth

Her first novel, The House of Mirth (1905), was an instant bestseller. Wharton exulted to her publisher Charles Scribner, “It is a very beautiful thought that 80,000 people should want to read The House of Mirth, and if the number should ascend to 100,000 I fear my pleasure would exceed the bounds of decency.”

How delighted she would be if the word reached her in the Great Beyond, that The House of Mirth is still in print, as is Ethan Frome, The Age of Innocence, The Custom of the Country, as well many of her other titles.

The House of Mirth did indeed establish her reputation, as described in the 1997 Simon & Schuster edition:

A literary sensation when it was published by Charles Scribner’s Sons in 1905, The House of Mirth quickly established Edith Wharton as the most important American woman of letters in the twentieth century.

The first America novel to provide a devastatingly accurate portrait of New York’s aristocracy, it is the story of the beautiful and beguiling Lily Bart and her ill-fated attempt to rise to the heights of a heartless society in which, ultimately, she has no part.

From the staid conventionality of Old New York to the forced conviviality of the French Riviera, from the drawing foom of Gus Trenor’s Bellomont to the dreary resort of a downtown boardinghouses, Wharton created her “first full-scale survey,” as her biographer R.W.B. Lewis put it, “of the comedie humaine, American style.”

A brilliantly satiric yet sensitive exploration of manners and morality, The House of Mirth marked Wharton’s transformation from an amateur into a professional writer on par with her contemporary and friend Henry James. It figures among her most important works.

. . . . . . . . . .

Edith Wharton’s reflections on her writing life.
. . . . . . . . .

A move to France and refugee relief work

Edith became deeply involved in refugee relief work during World War I. She wrote reports for American newspapers and organized the American Hostel for Refugees.

Among her other accomplishments were employing skilled 90 women who had been thrown out of work; feeding and housing hundreds of child refugees from Belgium, establishing hostels for other refugees; and assisting wounded soldiers and struggling families. In Edith Wharton: A Woman in Her Time, Louis Auchincloss (1971) wrote:

“In her war work, Edith showed an impressive … power of organization and perseverance. Her [fiction] writing was largely abandoned for the duration. She opened a workshop in Paris for women who had lost their jobs because of the war. 

She founded the American hostels that took care of 4,500 French and Belgian refugees. She organized four little hospitals that took care of 440 tubercular patients. She established a Children of Flanders rescue Committee which made itself responsible for 1,000 young people. 

And, even more remarkably, she raised the money for all of these enterprises. It was raised, as might be expected, fromher friends and relatives across the Atlantic … The war had taken its toll on noncombatants as well as on the fighters. Edith, no longer a young woman, was exhausted.”

For her war relief efforts, Wharton received one of France’s highest honors, the Chevalier of the Legion of Honor. Belgium named her a Chevalier of the Order of Leopold. 

. . . . . . . . . .

Edith Wharton surrounded by World War I soldiers
. . . . . . . . . .

Pulitzer Prize and later years

After the war, she continued her prodigious literary output and became part of a vaunted literary circle that included her close friend, Henry James.

The Pulitzer Prize for the Novel for fiction was awarded to Wharton for The Age of Innocence (1921), making her the first woman to achieve this distinction. Two years later she also became the first woman ever to receive an honorary doctorate (conferred upon her by Yale University). It was the last time she returned to the U.S.

Even at the height of her fame and literary prowess, Edith struggled with censorship. Ladies’ Home Journal criticized her story “The Day of the Funeral” as “too strong” for their readership. She once wrote:

“Brains & culture seem non-existent from one end of the social scale to the other, & half the morons yell for filth, & the other half continue to put pants on piano-legs.”

Her remaining years were spent in France. She died from a stroke at the age of 75 in 1937.

Edith Wharton’s literary legacy

At the close of Edith Wharton: A Woman in Her Time, Louis Auchincloss provides a concise summation of her literary legacy: 

With the posthumously published books, The Buccaneers and Ghosts, her fiction totals to thirty-two volumes. Probably her ultimate reputation in American letters will rest upon a small fraction of this list: Ethan Frome, The House of Mirth, The Custom of the Country, The Age of Innocence, Old New York, and a few short stories: “Pomegranate Seed,” “Roman Fever,” “After Holbein.”

[To these, Literary Ladies Guide would surely add The Reef as well as the novella, Summer.]

Many other writers have attempted to delineate the New York society of old brownstone and new wealth, but the reason that she succeeded where almost all of them failed is that, in addition to her great gifts as an artist, her lucidity, her wit, her style, she had a tight grasp of just what this society was made up of.

She understood that it was arbitrary, capricious, and inconsistent; she was aware that it did not hesitate to abolish its standards while most loudly proclaiming them.

She knew when money could open doors and when it couldn’t, when lineage would serve and when it would be merely sneered at. She knew that compromises could be counted on, but that they were rarely made while still considered compromises. She knew her men and women of property, recently anciently acquired, how they decorated their houses and where they spent their summers.

She realized, in short, that the social game was played without rules, and this made her one of the few novelists before Proust who could describe it with profundity … The society of which she wrote was an integral part of the American dream — the American myth — the American illusion.

More about Edith Wharton

On this site

• Edith Wharton Needed Approval, Just Like the Rest of Us
• Edith Wharton’s Struggles with Self-Doubt
• Edith Wharton’s Reflections on Her Writing Life
• Visiting The Mount — Edith Wharton’s Home in Lenox, MA
• Dear Literary Ladies: How should I deal with reviews of my work?
• Edith Wharton’s Introduction to Ethan Frome
• Somber and Beautiful Quotes from Ethan Frome
• Perceptive Quotes by Edith Wharton
• 4 Noted Women Authors as World War I Nurses and Relief Workers
• Classical Principles for Modern Design by Thomas Jayne
• Duty and Desire: Quotes from The Age of Innocence
• The Dilettante (1903 short story – full text)
• Xingu (1916 short story – full text)

Major Works

Edith Wharton wrote some forty works of fiction, including and numerous novellas and short stories in addition to longer novels. The following are among her best known; see her full list of works here.

• The House of Mirth (1905)
• Ethan Frome (1911)
• The Reef  (1912)
• The Custom of the Country  (1913)
• Summer (1917)
• The Age of Innocence (1920)
• Twilight Sleep (1927)
• The Buccaneers (1938; posthumous)

Collections & Novellas

• The Greater Inclination (1899)
• The Touchstone (1900)
• Madame de Treymes: Four Novelettes (1900 – 1916; collection published in 1970)
• Bunner Sisters (1916)
• Old New York (1924)

More Information and sources

• Wikipedia
• The Edith Wharton Society
• Reader discussions of Wharton’s books on Goodreads
• What Would Edith Wharton Think of Our Modern Home Decor Tastes
• A Visit to the Cemetery Where Edith Wharton Buried Her Beloved Dogs
• Edith Wharton’s manuscript from The House of Mirth
• Virginia Woolf, Edith Wharton, and a Case of Anxiety of Influence

Read and listen online

• Wharton’s public domain works on Project Gutenberg
• Audio recordings of Wharton’s public domain works on Librivox

Selected film adaptations of Edith Wharton’s works

• The Age of Innocence (1943)
• The Age of Innocence (1993)
• Ethan Frome (1993)
• The House of Mirth (2000)

Visit and research

• The Mount – Lenox, MA, USA
• Edith Wharton Collection – Beineke Library at Yale University, New Haven, CT
• Edith Wharton gravesite in Versailles, France

Categories: Author biography