Dear Literary Ladies,
It’s so hard to make a living at writing these days. There used to be so many more paying outlets for short stories, essays, and sketches; now everyone expects writers to contribute free content. How did you manage to earn a living while building your reputation? Do you think it’s necessary to be a “starving artist” until one’s ship comes in?
I always took little dull jobs that didn’t take my mind and wouldn’t take all of my time, and that, on the other hand, paid me just enough to subsist. I think I’ve only spent about ten percent of my energies on writing. The other ninety percent went to keeping my head above water. Read More→
Best known for her Pulitzer Prize-winning novel The Yearling and her memoir, Cross Creek, Marjorie Kinnan Rawlings was as comfortable in the kitchen as she was at the typewriter — maybe more so, as cooking was a joy to her, whereas she belonged to the “writing is agony” school of thought.
Rawlings collected the recipes of her time and place in Cross Creek Cookery (1942).
For the most part, the recipes are simple and familiar, with a decidedly Southern accent. Still workable if not always healthful (lots of butter and sugar!), some of the dishes would now be considered a extreme and gross — Alligator-Tail Steak and Minorcan Gopher Stew among them. Read More→
In the preface to the 1831 edition of Frankenstein by Mary Wollstonecraft Shelley (1797 – 1851), she tells the story of how she came to write her masterpiece. When it was published in 1818, Mary wasn’t yet twenty-one.
Mary’s liaison wth Percy Bysshe Shelley, the romantic poet, altered the course of her life. In the summer of 1814, at age seventeen, she eloped to Italy with Shelley, who left his distraught, pregnant wife behind.
She joined his literary circle, which included Lord Byron, and from there, the story unspools. Here, in Mary Shelley’s own words, is how it came to pass that a sheltered young woman from England came to write one of the most haunting tales of all time, with a character that continues to grip the imagination: Read More→
Dear Literary Ladies,
So many creative people are afraid to share their work with the world because they can’t risk failing. What words of wisdom can you offer to those of us who are willing to take that risk, and to bear inevitable failures with as much grace as possible?
In the working-day life of a professional writer success or failure is very likely to sum up much the same at the end. I don’t mean that failure is as pleasant as success. I’ve known both. Success stimulates the glands, revivifies the spirits, feeds the ego, fills the purse.
Failure is a depressing thing to face. The critics rip your play to ribbons, audiences refuse to come to it; reviewers say your book is dull, or trite, readers will not buy it. You read these things, you hear them, you face them as you would face any misfortune, with as good grace as you can summon. Read More→
The 1945 film version of A Tree Grows in Brooklyn, adapted from the beloved, bestselling novel by Betty Smith, was widely acclaimed both by audiences and critics and won a number of awards.
However, contemporary readers who adore the book should note that the storyline in the book covers about six years in the lives of the Nolans, while the film’s actions take place within a much shorter span of time — compressed into not much more than a year.
As such, this is a film that is an interpretation of the book rather than a faithful adaptation. Despite the artistic license taken, this Elia Kazan-directed movie was nearly universally well received. Read More→
From the 1966 John Day edition: The Time is Noon by Pearl S. Buck is the richly hued portrait of a woman as a daughter, sister, wife, and mother. It is the story of Joan Richards in quest of herself as she grows into womanhood in an American town, between the two world wars.
As a girl she shields her individuality not only from the world but from herself, behind the protective walls of a mother’s love, of home and family. But the family slips away, first one, then another, and slowly Joan discovers that the walls of home are but a shell.
She seeks another haven in marriage, moving in with her husband Bart’s family, but this is more like a prison. She places her hopes in motherhood, but her child as the months pass becomes a riddle and then a source of grief. Read More→
From the 1989 W.W. Norton edition of The Education of Harriet Hatfield by May Sarton: In this novel by Mary Sarton, Harriet Hatfield at sixty begins a new adventure. Her friend of thirty years has died and left her enough money to fund her dream of running a women’s bookstore.
But when Hatfield House: A Bookstore for Women opens in a blue-collar neighborhood near Boston, Harriet is bombarded by anonymous threats, and obscenities are written on the windows.
Then a Boston Globe reporter headlines her interview, “Lesbian Bookstore Owner Threatened” and the education of Harriet begins. Never before has she thought of herself as a member of a persecuted minority. Read More→
From the 1986 Farrar, Straus and Giroux edition of Many Waters by Madeleine L’Engle: Many Waters continues the distinguished and popular Time Trilogy, made up of Newbery winner A Wrinkle in Time, A Wind in the Door, and A Swiftly Tilting Plant.
Nothing especially interesting has ever happened to Sandy and Dennys, the run-of-the-mill twins in the extraordinary Murry family.
Nothing, that is, until the bitter cold afternoon when, fooling around in their parents’ lab, they type on the new computer: TAKE ME SOMEPLACE WARM … SOMEPLACE WARM AND SPARSELY POPULATED … Read More→
