Dear Literary Ladies,
I’m plugging away at a modest but steady writing career, but sometimes I think about aiming higher. I admit that I’m afraid to fail— and then look foolish to myself and others. What about you? Do you think it’s better to stick with what you do best, rather than stick your neck out and possibly fail?
Is it better to be extremely ambitious, or rather modest? Probably the latter is safer; but I hate safety, and would rather fail gloriously than dingily succeed.
—Vita Sackville-West, from a letter to Virginia Woolf, August, 1928 Read More→
Over the recent years, writers have increasingly turned to self-publishing. The reasons vary: It’s a route to consider if finding a publisher or agent has proven impossible; one has a niche audience that’s easily reachable; or there’s a specific reason to want complete control over the process. Here’s a bit of surprising self-publishing history by some classic authors.
Gone are the days of having to store copious numbers of cartons of unsold books in the garage or under the bed. User-friendly print-on-demand or e-book services allow writers to create books on an as-needed basis, avoiding the pitfalls of overprinting.
Whether the product ends up only in the hands of the author’s mom and cousins or becomes one of the rare successes that sells like wildfire, it’s good to have options. Read More→
Madeleine L’Engle (1918-2007) conducted a writing life that can best be described as one of perseverance. Best known for her award-winning young adult science fiction, particularly A Wrinkle in Time, L’Engle offered much wisdom on writing and the writing life in her memoirs.
L’Engle often wrote of the struggles of what the called the triad of “mother-wife-writer.”
When she was writing, she felt guilty that she wasn’t doing enough for her children, and when she was mothering, she felt awful that she wasn’t writing. It was typical angst of midcentury mothers, who took on the lion’s share of childrearing. Read More→
Zora Neale Hurston, the American novelist, memoirist, and folklorist was an active member of the Harlem Renaissance, an era of flourishing art and literature created by the Black community in New York City.
Fannie Hurst, her contemporary, was an author who supported social equality causes, and became sought after for her short stories.
Hurst was incredibly successful as a novelist and story writer in the 1920s and 1930s, becoming one of the era’s top-earning authors. Through a strange twist of fate that Zora, who was virtually forgotten when she died in 1960, is now a revered, widely read, and studied American author while today Hurst is rarely read and little known.
Read More→
Sanditon, though unfinished, is perhaps Jane Austen’s most exciting, unusual, and promising piece of literature. Unlike The Watsons, whose plot and ending can be relatively inferred, Sanditon, the novel she worked on in 1817, the year of her death, is quite different from any of her other stories.
The narrative of Sanditon could probably have followed a variety of paths, so predicting its resolution is difficult to do.
The story’s heroine, Charlotte Heywood, is a somewhat-exaggeratedly sensible young woman. She comes to the small coastal tourist town of Sanditon upon the urgings and guardianship of its proprietor, who is attempting to build the town’s reputation. Read More→
Dear Literary Ladies,
Do you think it’s a good practice to keep a journal? What did you use your journal for, and how did it benefit your writing practice?
One of the most helpful tools a writer has is [her] journals. Whenever someone asks how to become an author, I suggest keeping a journal. A journal is not a diary, where you record the weather and the engagements of the day. A journal is a notebook in which one can, hopefully, be ontological. Read More→
What is known of the writing habits of Jane Austen, the beloved author, is simple and fascinating.
Most of Jane Austen’s best known writing was done at Chawton Cottage in Hampshire, where she revised Pride and Prejudice, Sense and Sensibility,and Northanger Abbey. It was there that she wrote Mansfield Park, Emma, and Persuasion.
Jane would try to write every day, close to a window for the light, using an amazingly small walnut table (which survives at the Chawton Cottage Museum) and a ‘writing box’ thought to have been a gift from her father. Read More→
Zora Neale Hurston was an American novelist, memoirist, and folklorist. In the anthology, A Zora Neale Hurston Reader, the chapter titled “What White Publishers Won’t Print” (originally published in Negro Digest in 1950) discusses the lack of average black people appearing in literature and film.
In it she wrote about the importance of accurate portrayal of society’s marginalized groups.
In some ways this was ironic, because some African-American writers like Richard Wright criticized her for applying the “minstrel technique” to her characters and penned a scathing review of what is arguably Hurston’s best-known work, Their Eyes Were Watching God. Read More→
