Sanditon, though unfinished, is perhaps Jane Austen’s most exciting, unusual, and promising piece of literature. Unlike The Watsons, whose plot and ending can be relatively inferred, Sanditon, the novel she worked on in 1817, the year of her death, is quite different from any of her other stories. It could probably have followed a variety of paths, so predicting its resolution is difficult to do.
The story’s heroine, Charlotte Heywood, is a somewhat-exaggeratedly sensible young woman. She comes to the small coastal tourist town of Sanditon upon the urgings and guardianship of its proprietor, who is attempting to build the town’s reputation. Read More→
Dear Literary Ladies,
Do you think it’s a good practice to keep a journal? What did you use your journal for, and how did it benefit your writing practice?
One of the most helpful tools a writer has is [her] journals. Whenever someone asks how to become an author, I suggest keeping a journal. A journal is not a diary, where you record the weather and the engagements of the day. A journal is a notebook in which one can, hopefully, be ontological. Read More→
What is known of the writing habits of Jane Austen, the beloved author, is simple and fascinating.
Most of Jane Austen’s best known writing was done at Chawton Cottage in Hampshire, where she revised Pride and Prejudice, Sense and Sensibility,and Northanger Abbey. It was there that she wrote Mansfield Park, Emma, and Persuasion.
Jane would try to write every day, close to a window for the light, using an amazingly small walnut table (which survives at the Chawton Cottage Museum) and a ‘writing box’ thought to have been a gift from her father. Read More→