5 Valuable Writing Tips from Madeleine L’Engle

Madeleine L’Engle

Madeleine L’Engle (1918-2007) conducted a writing life that can best be described as one of perseverance. Best known for her award-winning young adult science fiction, particularly A Wrinkle in Time, L’Engle offered much wisdom on writing and the writing life in her memoirs.

L’Engle often wrote of the struggles of what the called the triad of “mother-wife-writer.”

When she was writing, she felt guilty that she wasn’t doing enough for her children, and when she was mothering, she felt awful that she wasn’t writing. It was typical angst of midcentury mothers, who took on the lion’s share of childrearing.

She wrote with touching honesty of her struggles with literary rejection, especially of A Wrinkle in Time (which ultimately became her most successful work). “You can’t name a major publisher who didn’t reject it. When we’d run through forty-odd publishers, my agent sent it back. We gave up.”

Most editors thought it was too dark and complex for children. But a last-ditch submission turned the tide. Published in 1962, A Wrinkle in Time is still in print, with millions of copies having been sold worldwide. It has the distinction of having won some of the most prestigious publishing awards, as well as being one of the most frequently banned books of all time.

L’Engle’s publishing journey is one of uncompromising perseverance. If her self-belief sometimes wobbled, she managed to keep the faith. There are few better than she to give advice to writers in all phases of their journey.

. . . . . . . . . .

Madeleine L'Engle
“A Wrinkle in Time was almost never published”
. . . . . . . . . . 

Toughen up if you want to be published

“When we write and are published, we become naked before people. And that means we are open to criticism. That’s a risk you have to take. If you write a book that says something and it pleases everybody, you’ve failed . . .

If you’re going to write and be published, you’ve got to expect to have a few arrows thrown at you. They’re going to hurt, and you’re going to bleed. You’re probably going to cry if you’re like me. But that’s just part of it and you have to learn.”

—  from Madeleine LEngle Herself

. . . . . . . . .

Risk is essential to writers

“Risk is essential. It’s scary. Every time I sit down and start the first page of a novel I am risking failure. We are encouraged in this world not to fail …  We are encouraged only to do that which we can be successful in. But things are accomplished only by our risk of failure. Writers will never do anything beyond the first thing unless they risk growing.”

—  from Madeleine LEngle Herself

. . . . . . . . . .

The work comes before inspiration

“If the artist works only when [s]he feels like it, [s]he’s not apt to build up much of a body of work. Inspiration far more often comes during the work than before it, because the largest part of the job of the artist is to listen to the work and to go where it tells him to go. Ultimately, when you are writing, you stop thinking and write what you hear.”

— from Walking on Water: Reflections on Faith and Art

. . . . . . . . . .

Madeleine L'Engle's books


Writing is a discipline

“Ultimately, you have to sit down and start to write. And even if all you do is type out ‘I can’t write this morning; I can’t write this morning; oh, bother, I can’t write this morning,’ that will sometimes prime the pump and get it started. It is a matter of discipline. It is particularly a matter of discipline for a woman who has children or another job.”

—  from Madeleine LEngle Herself

. . . . . . . . . .

If you’re blocked, try another creative outlet

“Music is, for me, a way of getting into this frame of mind where one can be simultaneously involved and detached. If I’m really stuck in something that I’m working on, if I’m absolutely blocked, if I go to the piano and play Bach and concentrate on Bach (preferably fugues) for about an hour or so, underneath this concentration on Bach my subconscious creative mind obviously has been working.

When I’m through I usually realize, “Oh yeah, that’s what I need to do.” But I’ve got out of the subjective and into the objective through the help of Johann Sebastian, who just happens to work very well for me.”

—  from Madeleine LEngle Herself

One Response to “5 Valuable Writing Tips from Madeleine L’Engle”

  1. Everything Ms. L’Engle said resonates like a clear bell in my head.
    And though I can’t play music, I have found myself turning to my own (very amateurish) collagist art, doodles, cut-outs, quotes, all put in a little book along with photographs, stamps — anything that catches my magpie eye and sparkles something more than it is back at me.
    Kristin McCloy
    author of Velocity, Some Girls, and Hollywood Savage
    currently struggling with fourth

Leave a Reply

Your email address will not be published. Required fields are marked *