The Novels of Willa Cather, Master of American Literature
By Nava Atlas | On | Comments (0)
Willa Cather (1873 – 1947) was a masterful American author of fiction whose spare yet evocative prose has held an enduring place in American literature. Life on the prairie and the immigrant families she had encountered inspired some of her earlier novels, including O Pioneers!, The Song of the Lark, and My Antonia. Death Comes for the Archbishop is considered one of her finest, and One of Ours won the Pulitzer prize.
After abandoning her initial ambition to study medicine, Cather embarked on a life of letters, first working as a journalist, critic, and editor. Her first published book was a collection of poems titled April Highlights (1903), remaining her only volume of poetry. Next came The Troll Garden (1905), a collection of short stories. Her first novel, Alexander’s Bridge, was published in 1912.
. . . . . . . . .
Learn more about Willa Cather
. . . . . . . . .
New England author Sarah Orne Jewett had become Willa Cather’s mentor and persuaded her to stop trying to write like Henry James and instead, to draw from memories of her youth in Red Cloud, Nebraska. Life on the prairie and the immigrant families she had encountered inspired O Pioneers!, The Song of the Lark, and My Antonia, which came in quick succession in the nineteen-teens. Several novels came out in the twenties including One of Ours (1922), which won a Pulitzer Prize despite mixed reviews.
Sapphira and the Slave Girl (1940) was Cather’s last published, and was arguably her least well-reviewed novel. Still, it was the final addition to a body of work that has become one of the most respected in American literature.
In a 1961 essay about Cather’s novels, eminent critic Brooks Atkinson wrote in the New York Times: “In the 1920s, Willa Cather’s sober fiction was overwhelmed by the showmanship of Sinclair Lewis and Ernest Hemingway. In the 1960s, her novels are more readable than theirs … Her spare and supple writing has a classical simplicity. But her signature is bold on every page.” Now, decades after this assessment, Willa Cather’s novels are still in print, still read and studied, and deservedly so.
One of Ours (1922)
One of Ours tells the story of Claude Wheeler, the son of a Nebraska farmer and a religious mother. He drifts through what seems to be a predictable life, devoid of purpose, until he goes to war in Europe. Though it won the 1923 Pulitzer Prize for the Novel, it received mixed reviews.
My Mortal Enemy (1926)
Cather sketches a character study of a woman and a life not particularly well-lived. In this slim work, the story of an ill-considered marriage unfolds. My Mortal Enemy is considered a minor work by Cather, and there has been debate as to whether it has stood the test of time.
Shadows on the Rock (1931)
Cécile Auclair is a child in the Quebec of the waning seventeenth century, when both Louis de Buade, Comte de Frontenac, Governor of French Canada, and François-Xavier de Laval-Montmorency, the first Roman Catholic Bishop of Quebec, are very old men living their last days.
Sapphira and the Slave Girl (1940)
Willa Cather’s last novel was the only book the Virginia-born author set in her home state. An actual incident from her own family history provided the seed of the story, which concerns the troubled marriage of Henry and Sapphira Colbert, who own and operate a small farm and mill near Winchester, Virginia, before the years of the Civil War.