A reflection on the period in which Mina Loy and Marianne Moore, modernist poets (among other talents) crossed paths in the early 1920s. Excerpted from Everybody I Can Think of Ever: Meetings That Made the Avant-Garde by Francis Booth, reprinted by permission.
The poetry of Mina Loy was often compared and sometimes published next to that of the Baroness Elsa von Freytag-Loringhoven. Margaret Anderson and Jane Heap put them together in the issue of Little Review that immediately followed their obscenity conviction for printing Ulysses, some time around 1920.
Man Ray took photographs of both of them specially; opposites in looks but potential sisters in their view of female sexuality. And the only issue of the magazine New York Dada had both an article mocking Loy’s relationship with Cravan and a portrait of the Baroness, this time wearing only her jewelry, as the “naked truth” of Dada. Read More→
Mina Loy (December 27, 1882 – September 25, 1966) was a brilliant English-born poet, playwright, and artist. Light years ahead of her time, she was lauded by her peers for her dense analyses of the female experience in early twentieth-century Western society.
She was associated with other great minds and literary innovators of her time, like T.S. Eliot, William Carlos Williams, Marianne Moore, Sylvia Beach, Sinclair Lewis, Ezra Pound, and others. Read More→
The Road Through the Wall was Shirley Jackson’s first novel (1948). That was also the year when her short story, “The Lottery,” was published, making her instantly famous (as well as infamous). This plot summary and analysis of The Road Through the Wall focuses on its young heroine, Harriet Merriam.
Jackson claimed that the novel was loosely based on her childhood growing up in a well-to-do neighborhood in California. Admitting that this book was somewhat of a revenge novel, she asserted that a first novel’s purpose, after all, was to get back one’s parents.
Excerpted from Girls in Bloom: Coming of Age in the Mid-20th Century Woman’s Novel by Francis Booth, reprinted by permission.
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From the time of her classic essay, “Notes on Camp” (1963), Susan Sontag was launched into the position of one of America’s premier public intellectuals.
Nearly every line she wrote or spoke was quotable, so it’s a great challenge to choose a selection of quotes by Susan Sontag for a post that’s reasonable in length; here, we’ve attempted such a feat. Painting at right by Juan Bastos ©2009, courtesy of Wikimedia Commons, Creative Commons License 3.0.
Achieving fame (and sometimes notoriety) in multiple forms of media — essays, fiction, film, and more — Sontag seemed to embrace her role as provocateur. Susan Sontag pastel portrait at right by Juan Bastos. Read More→
This brief biography of Rachel Field (September 19, 1894 – March 15, 1942), a noted yet often neglected American author, will highlight her extensive body of work in the areas of adult fiction, poetry, and children’s fiction.
She’s perhaps best remembered for All This and Heaven Too (1938), which was adapted into a film starring Bette Davis, and Hitty: Her First Hundred Years (1929), an award-winning children’s book.
Several of her other books were adapted into films starring prominent Hollywood stars of the time, and upon her untimely death in 1942, newspaper editor Laura Benet remembered her as a calming and reassuring presence to all of those who knew her. Read More→
In the course of American letters, there have been very few writers who are able to approach the iconoclastic status and cultural significance that Susan Sontag (January 16, 1933 – December 28, 2004) gained in her sixty-year career as an essayist, documentarian, political activist and novelist.
Beginning with her classic essay, Notes on Camp (1964), Sontag embraced her role as one of the country’s premier public intellectuals; and, with her signature style of always dressing in black — combined with her long black hair with one distinctive white streak framing her face — Sontag became instantly recognizable in pop culture and in the more refined circles of literary discourse.
Sontag achieved what was believed to be impossible for any American writer: she could easily pontificate on structuralist philosophy and on the history of interpretation — subjects not widely embraced in American culture — yet Sontag easily made the crossover from the inaccessible intellectual into the realm of established literary star. Read More→
India is a rich mosaic when it comes to languages, cultures and states. This diverse selection keeps in mind the feminist angle as it journeys from the 12th century through the 21st. These classic Indian women poets are presented here in order of birth, from Akka Mahadevi (1130-1160) through Meena Alexander (1951-2018).
Though all have passed on, their voices and influence echo through the ages. Pictured at right, Kamala Das as a young woman.
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This analysis of We Have Always Lived in the Castle (1962), Shirley Jackson’s last novel, has a special emphasis on Mary Katherine (Merricat), the younger of the Blackwood sisters central to the story.
Excerpted from Girls in Bloom: Coming of Age in the Mid 20th Century Woman’s Novel by Francis Booth, reprinted by permission.
In Shirley Jackson’s The Sundial and The Haunting of Hill House, she used an old house as a brooding, malign presence in the novel, almost a character in its own right. She did the same, though in a completely different way, in We Have Always Lived in the Castle, her last completed novel. Read More→
