By Melanie P. Kumar | On May 20, 2021 | Updated March 14, 2023 | Comments (1)
Revisiting a book many years after the first reading and still being able to connect is one of the greatest joys of rediscovering great authors. It’s no surprise that Pearl S. Buck won the Pulitzer Prize for The Good Earth and contributed to her receiving the Nobel Prize for Literature.
This novel, published in 1931, was the first in her House of Earth trilogy, followed by Sons and A House Divided. It made it to the bestselling lists in the United States, both in 1931 and 1932.
The author, as the daughter of missionaries, grew up in China and based this work of historical fiction on her personal observations of village life around her. Read More→
By Francis Booth | On May 18, 2021 | Updated May 29, 2021 | Comments (0)
A reflection on the period in which Mina Loy and Marianne Moore, modernist poets (among other talents) crossed paths in the early 1920s. Excerpted from Everybody I Can Think of Ever: Meetings That Made the Avant-Garde by Francis Booth, reprinted by permission.
The poetry of Mina Loy was often compared and sometimes published next to that of the Baroness Elsa von Freytag-Loringhoven. Margaret Anderson and Jane Heap put them together in the issue of Little Review that immediately followed their obscenity conviction for printing Ulysses, some time around 1920.
Man Ray took photographs of both of them specially; opposites in looks but potential sisters in their view of female sexuality. And the only issue of the magazine New York Dada had both an article mocking Loy’s relationship with Cravan and a portrait of the Baroness, this time wearing only her jewelry, as the “naked truth” of Dada. Read More→
By Francis Booth | On May 4, 2021 | Updated March 25, 2026 | Comments (0)
This look at the depiction of adolescent and teen girls in the fiction and nonfiction of American author Shirley Jackson is excerpted from Girls in Bloom: Coming of Age in the Mid-20th Century Woman’s Novel by Francis Booth, reprinted by permission.
In the works of Shirley Jackson (1916 – 1965), there is an absence of sex of any kind, other than the veiled implication that Natalie Waite in Hangsaman has had a sexual experience that she does not remember, and which is not described in the novel.
One reason for this lack of sex among her teenage protagonists might be that Jackson had daughters of her own who might read her work. She did know a lot about the adolescent girl; she wrote several of them into her novels and stories, chief among them, the aforementioned Natalie Waite; Harriet Merriam (The Road Through the Wall), and Merricat Blackwood (We Have Always Lived in the Castle). Read More→
By Francis Booth | On April 13, 2021 | Updated October 24, 2025 | Comments (0)
Though not as well known today, Mina Loy was well entrenched in the modernist circles that included leading figures of arts and letters of the 1920s. This musing on Mina Loy and the “Crowd” is excerpted from Everybody I Can Think of Ever: Meetings That Made the Avant-Garde by Francis Booth. Reprinted by permission.
Mina Loy (1882 – 1966), who practiced both as a writer and visual artist, was a vital member of the group of creatives that launched the modernist movement. Born in Hampstead, London, she was a painter, poet, novelist, and playwright, and also achieved some renown as a lamp designer. Read More→
By Francis Booth | On April 9, 2021 | Updated June 4, 2021 | Comments (0)
Towards the end of World War I, the American expatriate writer and poet Hilda Doolittle, H.D. met Annie Winifred Ellerman, known as Bryher. H.D. and Breyher became lovers and would remain intimate for the rest of H.D.’s life, supporting and sustaining each other and sharing the responsibility of parenting H.D.’s daughter Perdita.
However, theirs was not an exclusive partnership. Both took other lovers, and in 1921 Bryher entered into a marriage of convenience with the American writer and publisher Robert McAlmon. This arrangement enabled Bryher to keep her traditional family at arm’s length, and allowed McAlmon to use her wealth to set up his own press.
This excerpt, detailing the complex relationships of a circle of modernist literary figures, is from Everybody I Can Think of Ever: Meetings That Made the Avant-Garde by Francis Booth. Reprinted by permission. Read More→
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