To contemplate a quote, or a line from one of Susan Sontag’s (1930 – 2004) many essays or novels, will invariably have the reader pause and read the line or paragraph again. Quotes by Susan Sontag have the capability to change the reader’s perception about how we view our lives — especially in regards to art and our own cultural limitations and vanities.
My own literary daydream has been to visit a bookstore, most likely The Strand on Broadway and 12th Street in New York City, and Sontag would be my guide as we strolled the aisles. Sontag’s commitment to literature and art has made an imprint on my life. In my daydream, Sontag would be the one doing all of the talking — I could only contribute my appreciation with a nodding of my head. Read More→
Paula Gunn Allen (October 24, 1939 – May 29, 2008) was an award-winning Indigenous American poet, novelist, activist, and professor.
She is widely considered a founding figure of contemporary indigenous literature, defining its canon and bringing it to the greater public eye at a time when many denied its existence. She is remembered for her engaging fictional work and groundbreaking critical essays.
Known as one of the key intellectual minds of indigenous literature and history, Paula bridged the literary gap between indigenous writing and feminism. In her lifetime, she published seventeen works, many are still frequently anthologized.
The three Brontë sisters — Charlotte, Emily, and Anne — cherished literary ambitions from an early age, and despite lives cut short by illness, earned a prominent place in the English literary canon. The same can’t be said for their brother, Branwell Brontë (1817 – 1848), whose dissipated life ended at age thirty-one, with little to show for his early talent other than thwarted ambition.
The children of Maria Branwell Brontë and Reverend Patrick Brontë, the Brontë siblings grew up in Haworth, England, located in Yorkshire. Maria Branwell Brontë died while the children were still very young, and the two oldest sisters, Maria and Elizabeth, died of illness before reaching adolescence. Read More→
This analysis of Hangsaman, Shirley Jackson’s chilling and thought-provoking 1951 novel, is excerpted from Girls in Bloom: Coming of Age in the Mid-20th Century Woman’s Novel by Francis Booth, reprinted by permission.
In a 1956 book called Sex Variant Women in Literature, the academic critic, Jeanette H. Foster referred to Hangsaman as “an eerie novel about lesbians.’ This is a bizarre reading of the novel and Shirley Jackson was incensed. Her biographer, Judy Oppenheimer, quoted her as saying:
“I happen to know what Hangsaman is about. I wrote it. And dammit it is about what I say it is about and not some dirty old lady at Oxford. Because (let me whisper) I don’t really know anything about stuff like that. And I don’t want to know… I am writing about ambivalence but it is an ambivalence of the spirit or the mind, not the sex. My poor devils have enough to contend with without being sex deviates along with being moral and romantic deviates.” Read More→
Discover some of the best-known classic women Pakistani novelists and poets who challenged society’s norms and made invaluable contributions to literature.
Many classic Pakistani women authors were born before the partition and lived through the horrors of migration. They had to adjust to a new life in the new country, and these extraordinary life experiences seep into their writings. (Pictured here, Fahmida Riaz.)
With their fiery words, they bent social norms and challenged patriarchy and debauchery long before the concept of feminism or human rights became a part of living room discussions. Read More→
Most artists and writers keep their inner space sacred and inviolate. It’s the core from where their creativity springs. Some keep their inner world more private than others.
While plenty of male writers have suffered from (or have preferred) isolation, this musing will focus on well known female writers. Confinement periods can be an advantage for women writers, as their extra-curricular activities may slow down.
Seeking solitude doesn’t make a writer antisocial. Perhaps periods of quarantines made it easier for writers to carve out specific periods of time where they can work in blissful solitude. A brief look at women authors of the past shows that self-imposed sequestration isn’t such a crazy thing to do, after all. Read More→
Though the classic lesbian novels surveyed here – published from the early through mid-twentieth century – seemed truly groundbreaking in their time, they certainly weren’t the first of this genre of literature. From the poetry of Sappho to the secret diaries of Anne Lister to queer re-evaluations of many classic women authors, the books listed here had plenty of forerunners.
The difference? Though some were more forthright than others, there was less of the thinly veiled allusions, and more overt same-sex love and romance. Though by no means the only fine examples of the genre, the six novels presented here were hugely impactful. Read More→
Odd Girl Out by Ann Bannon (the pseudonym of Ann Weldy), was one of several hugely influential lesbian pulp novels of the 1950s. This appreciation and analysis is excerpted from Girls in Bloom: Coming of Age in the Mid-20th Century Woman’s Novel by Francis Booth, reprinted by permission.
In the introduction to her anthology Lesbian Pulp Fiction, the author Katherine V. Forrest remembers how a book she found in a bookshop in Detroit in 1957 changed not only her writing but her life: Read More→