Literary Ladies Guide

“How it Feels to Be Colored Me” is an essay by Zora Neale Hurston originally published in the 1928 edition of The World Tomorrow.  She explores her unique experience with race in her customary wry, forthright manner.

Zora makes clear that she speaks only for herself,  as the tone of this essay doesn’t necessarily reflect the more proudly propagandist Black writing that characterized the 1920s New Negro movement (also known as the Harlem Renaissance.

Yet she clearly critiques the rampant segregation and bias that were woven into the fabric of American life, North and South. Following is the full text of “How it Feels to Be Colored Me,” now in the public domain. The only alteration to the text has been to break up long paragraphs, for easier readability on devices. Read More→

Gonzo journalism is a writing style strongly associated with Tom Wolfe and Hunter S. Thompson. However, others have contributed their voice to immersive journalism since the genre’s earliest roots in New Journalism.

Here we’ll explore the work of Joan Didion, Gail Sheehy, and Barbara Ehrenreich in this context as three impactful female gonzo journalists.

Where the author becomes central to the story or investigation is an example of immersive or gonzo journalism. Read More→

Mae Virginia Cowdery (also known as Mae V. Cowdery; January 10, 1909 – November 2, 1948) is a forgotten poetic voice of the Harlem Renaissance era of the 1920s. A selection of her earlier poems is presented here.

Mae was the only child of professional parents who were part of Philadelphia’s Black elite. They instilled in her their values of racial pride, equality, and respect for the arts.

Above right, Mae in 1928 at age nineteen, sporting an androgynous look.

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Ellen Glasgow (April 22, 1873 – November 21, 1945) was one of the South’s most eminent writers of her day. Today she’s far less known than contemporaries like Edith Wharton and Willa Cather, despite having created an impressive body of work.

Ellen’s output included novels, collections of short stories and poems, a treatise on how to write fiction, and an autobiography. She was also the recipient of the Pulitzer Prize in 1942. Today, if she is remembered for anything, it’s more for her influence than her literary talent. 

It’s well worth rediscovering this often overlooked writer.

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Emma Goldman (1869 – 1940) was a noted political activist and promoter of the anarchist philosophy. She was best known for her role in the development of its theories in the early twentieth century.

As such, “Anarchism: What it Really Stands For” is a 1911 essay that crystalizes her views. Anarchism, in brief, argues against all forms of authority the abolishment of institutions of government, advocating for replacing them with stateless societies.

Goldman’s views seem particularly resonant — and relevant — in this age of government overreach into privacy and personal freedom. Read More→

Lee Miller (April 23, 1907 – July 21, 1977) was an American photographer and war correspondent. For many years she was known as the muse and lover of Surrealist artist Man Ray.

She was extraordinarily talented in her own right, moving with ease from the fashion circles of New York, to the Surrealist circles of Paris, to front-line photography in World War II.

Her life and work has been painstakingly documented and promoted by her son Antony Penrose, and most recently has been the subject of a 2023 film produced by and starring Kate Winslet. Read More→

Presented here is an analysis by James Weldon Johnson of Phillis Wheatley’s poetry. She was one of the first women to be published in colonial America, and the first person in the U.S. to have a book of poetry published while enslaved.

James Weldon Johnson (1871–1938) was a writer, educator, poet, diplomat, and civil rights activist. He helmed the NAACP from 1920 to 1930. He was a significant figure in the Harlem Renaissance movement, or as it was then called, The New Negro movement.

The Book of American Negro Poetry (1922), chosen and edited by Johnson, was one of a handful of significant anthologies of Black literature to be published in the 1920s. The segment following, in which he provides and analysis of Phillis Wheatley’s poetry, is a portion of the Johnson’s Preface to this collection. It is in the public domain.

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Women translators in history have been forgotten for too long before being recently acknowledged in Wikipedia thanks to its many contributors.  Marie Lebert has compiled brief biographies on women translators of the past into pdfs in three languages:

• Women Translators of the Past (English)
• Quelques Traductrices du Passé (French)
• Algunas Traductoras del Pasado (Spanish)

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