By Francis Booth | On October 4, 2021 | Updated January 9, 2026 | Comments (2)
The Death of the Heart (1938) by Elizabeth Bowen is in many ways a traditional English 1930s novel, and a comedy of manners — the manners of pre-war, upper-middle-class London which Bowen (1899 – 1973) knew well. This analysis of The Death of the Heart is excerpted from Girls in Bloom: Coming of Age in the Mid-20th Century Woman’s Novel by Francis Booth, reprinted by permission.
The Death of the Heart is a coming-of-age novel, and its heroine, Portia Quayne, undoubtedly belongs in the literary realm of adolescent girls and their sexual experiences.
Portia does, in her way, come of age in the course of the story though she does not have the novel to herself. She is just one of a cast of unappealing characters examined in forensic detail by the witty, sardonic, and ruthless Bowen in this darkly witty chamber piece. Read More→
By Francis Booth | On September 24, 2021 | Updated November 28, 2023 | Comments (0)
Fanny Burney, the British novelist and playwright best remembered for her first novel, Evelina (1778) was also an immensely prolific diarist. This introduction to the journals of Fanny Burney is excerpted from Killing the Angel: Early British Transgressive Women Writers ©2021 by Francis Booth. Reprinted by permission.
It has been argued that the diary is essentially a feminine form of writing; certainly, at one time writing a diary was far more likely to be done by a woman of a certain class than by a man.
Diaries are written for an audience of one though Fanny (Frances) Burney (1752 – 1840), later a wildly successful novelist, wrote in the first pages of her diary in 1768 that hers was for an audience of none. Her JUVENILE JOURNAL: ADDRESSED TO A CERTAIN MISS NOBODY, sets out to be: Read More→
By Evan Atlas | On September 24, 2021 | Updated April 27, 2024 | Comments (0)
This musing on women’s spiritual journeys inspired by the sea is excerpted from the essay “Women Who Swim” by Evan Atlas. Featuring the iconic real-life swimmer Gertrude (Trudy) Ederle, it moves into parallels with Marian Taylor in The Unicorn by Iris Murdoch and Edna Pontellier in The Awakening by Kate Chopin:
The sea appears as this powerful source of perfection and self-transcendence in The Unicorn by Iris Murdoch (1987), whose character, Marian, is the subject of a sea-inspired spiritual journey. She arrives in an unfamiliar setting, immediately noticing that something is off: Read More→
By Francis Booth | On September 17, 2021 | Updated August 6, 2024 | Comments (0)
Christine de Pizan (1364 – 1430) the French writer, is best known for her seminal work of literature by, about, and in support of women, Le Livre de la Cité des Dames (1405).
Now known as The Book of the City of Ladies, it was first translated into English as The Boke of the Cyte of Ladyes and published in London in 1521, “in Paul’s churchyard at the sign of the Trinity by Henry Pepwell.”
This introduction to Christine de Pizan and The Book of the City of Ladies is excerpted fromKilling the Angel: Early Transgressive British Woman Writers by Francis Booth ©2021, reprinted by permission. Read More→
By Marcie McCauley | On September 15, 2021 | Updated February 7, 2026 | Comments (0)
When I was a girl, the only parts of grown-ups’ movies that I enjoyed were the parts with children in them. So, the first few times I watched the Rodgers and Hammerstein musical (based on the 1944 book Anna and the King of Siam by Margaret Landon) The King and I, only “The March of the Royal Siamese Children” appealed to me.
As an only child, families with more than one child seemed remarkable; the seemingly endless stream of offspring, parading through the court in this colorful musical number, fascinated me.
And I was oblivious to the number of grown women—the mothers—also in attendance, felt no compulsion to multiply by nine, or to muse on multiple conceptions. Read More→
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