Tillie Olsen

Tillie Olsen

Tillie Olsen (January 14, 1912 – January 1, 2007) was an American author of fiction and nonfiction whose body of work was small but influential, drawing upon her personal experiences. Her work spoke to the struggles of women and working-class families, placing her in the canon of second wave feminist thought.

Born in Tillie Lerner in Omaha, Nebraska, Olsen’s parents were Russian-Jewish immigrants. Her father, a laborer, was the Secretary of Nebraska’s Socialist party. Her parents’ socialist views and activism impacted Olsen’s childhood and influenced her later life.

Growing up fast

Olsen left school at age 15 to begin working to help support her parents and siblings. She worked at various blue-collar jobs including factory work, waitressing and hotel maid. In the Depression era, she became an  activist and organizer for socialist and labor causes, and joined the Young Communist League.

In 1932, at the age of 19, she contracted pleurisy and  tuberculosis while working in a factory. While recovering, Olsen started writing her first novel, Yonnondio, which was to be put away for decades to come. That same year, she gave birth to the first of her four daughters.

Challenging times as a wife and mother

Olsen moved to San Francisco in 1933 and continued her pro-labor activism. She was arrested during the 1934 general strike, and dispatched reports to The New Republic and The Partisan Review. It was then that she met Jack Olsen, another activist, whom she later married.

The couple married in 1944, and three more daughters  (she would eventually amass many grandchildren and great-grandchildren). Olsen, working at various jobs to help support the family, found it challenging to be a mother and working to earn a living. She longed for time to write, and made no secret of her frustration, which often shaded into bitterness.

Tell Me a Riddle

She didn’t have a book-length work published until 1961, when Tell Me a Riddle appeared. A collection of four short stories, it opened with “I Stand Here Ironing,” a first-person narrative of the frustration of motherhood, isolation, and poverty.

The last piece in the collection, “Tell Me a Riddle,” is arguably her best-known work. It’s the story of a working-class couple that also poignantly explores the author’s favored themes of poverty and gender. The slender short story received much critical acclaim. “Tell Me a Riddle” was was adapted into a 1980 movie starring Melvyn Douglas and Lila Kedrova.


In Silences (1978), a collection of linked essays, Olsen looked at women authors of the past to comment on how societal and financial circumstances affected their creative lives. She also examined how marriage and motherhood impacted output and chances for success. Issues of gender and class were central to these meditations. Margaret Atwood wrote of the book:  “It begins with an account, first drafted in 1962, of her own long, circumstantially enforced silence. She did not write for a very simple reason: A day has 24 hours. For 20 years she had no time, no energy and none of the money that would have bought both.”

tillie olsen

See also: Silences by Tillie Olsen: On Being a Writer and a Mother

A biographical reckoning

A post in the Jewish Daily ForwardA Brutal Narcissist: The Life of Feminist Icon Tillie Olsen — tells of biographer Panthea Reid’s decade-long journey to research and write Tillie Olsen: One Woman, Many Riddles. The article states that the biographer’s “initial admiration for Olsen disintegrated as time progressed. Overcoming her resistance to seeing one of her heroines dethroned, Reid paints a harsh portrait of a self-involved and difficult woman who could often be manipulative and deceptive and brutally narcissistic.” The book ultimately paints a portrait of a woman who was self-involved, didn’t finish promised project, and who could alienate those closest to her.

Olsen loved attention, and famously hogged the spotlight at events and literary gatherings.

Later life and legacy

Ironically, after longing to write for two frustrating decades, once she did produce a few works, she published almost nothing after Silences. Despite her modest output, Olsen was invited to teach and to be writer-in-residence at a number of colleges and universities, including Stanford, MIT, and Amherst College, Stanford University, MIT, and Kenyon College. She received nine honorary degrees, a National Endowment for the Arts fellowship, a Guggenheim, and several other prestigious awards.

Olsen’s few works have been impactful, studied examined in literature and women’s studies courses. She died in Oakland, California in 2007, at the age of 94.

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