By Emma Ward | On April 10, 2017 | Updated October 4, 2022 | Comments (0)
George Hutchinson’s biography, In Search of Nella Larsen: A Biography of the Color Line (2006) delves into Larsen’s experience as a mixed-race woman in a society obsessed with identity.
This factor weighed in on Larsen’s unique perspective on the world, showing up as themes in her two novels, Quicksand (1928) and Passing (1929).
Hutchinson pays homage to Nella Larsen‘s influence in the world of African-American art; namely the era of the Harlem Renaissance as she progressed as a writer despite the boundaries of race. Read More→
By Taylor Jasmine | On April 10, 2017 | Updated October 4, 2022 | Comments (0)
The Four Difficuties of Becoming A Writer is a segment excerpted from Becoming a Writer by Dorothea Brande (1934), proving that good writing advice is timeless.
Note from Literary Ladies: For the most part, Brande used the gendered pronoun he/him/his in the original essay unless specifically referring to a female, as was the style of the time.
Literary Ladies has changed those to female pronouns. Since the majority of our audience is female, it rings more relatable to the ear of our readers. I hope that Ms. Brande, may she rest in peace, will understand. And now, the excerpt by Dorothea Brande: Read More→
By Nava Atlas | On April 10, 2017 | Updated October 4, 2022 | Comments (0)
Description of The Optimist’s Daughter by Eudora Welty (1960) adapted from the 1972 Random House edition: Laurel Hand, long absent from the South, comes from Chicago to New Orleans, where her father dies after surgery.
With Fay, the stupid young wife of her father, Laurel returns to her former Mississippi home and stays a few days after the funeral for reunions with old friends. In a night alone in the house she grew up in, she confronts elements of the past and comes to a better understanding of it and of herself and her parents. Read More→
By Nava Atlas | On April 10, 2017 | Updated January 30, 2020 | Comments (0)
Dear Literary Ladies,
These days, publishers want to know how authors plan to find the audience for their book well before the final draft is submitted. It’s all about marketing and platform, which can be daunting and distracting.
Do you write for an audience or market as a work is in progress, or does that ultimately make for a less desirable outcome? Is it better to write to please yourself?
Those critics or well-wishers who think that I could have written better than I have are flattering me. Always I have written at the top of my bent at that particular time. It may be that this or that, written five years later or one year earlier, or under different circumstances, might have been better for it. Read More→
By Taylor Jasmine | On April 2, 2017 | Updated October 4, 2022 | Comments (0)
Gone With the Wind was published in 1936, at a time when the book industry, like all other businesses in the U.S., was still suffering from the results of the Depression. At least one person was concerned about the enterprise: Margaret Mitchell.
“I do hope they sell five thousand copies,” she remarked, “so they don’t lose money.” In one day GWTW sold 50,000 copies, and it was soon one of the fastest-selling books in the history of American publishing.
Published on June 30, 1936, GWTW had already been made a selection of Book of the Month Club, and advance sales were remarkable for a first novel by such an unknown author, particularly for a book of such length. Critics weren’t always as kind as the public. It’s fascinating to look back at how iconic books were reviewed in their own time. Read More→
By Nava Atlas | On April 2, 2017 | Updated October 4, 2022 | Comments (0)
Willa Cather (1873-1947) was a craftswoman of the written word. Known for their stark beauty and spare language, her novels reflected her philosophy that writing is a craft to be honed and perfected. Cather’s considerable writing wisdom has been fully preserved.
She always had a great deal of wisdom to impart on the art of writing. Here’s a sampling, excerpted from several of the numerous interviews she granted (despite her professed disdain for the press and with fame in general) between 1915 and the mid-1920s. Read More→
By Nava Atlas | On April 2, 2017 | Updated April 14, 2019 | Comments (0)
Dear Literary Ladies,
Some days, I just can’t find the resolve to work. I could blame all sorts of distractions and interruptions, but maybe it’s the discipline I lack. If the words don’t flow right away, I’ll get up and find some fine excuse not to stick with it. How do you develop the discipline to just sit down and write?
Ultimately, you have to sit down and start to write. And even if all you do is type out “I can’t write this morning; I can’t write this morning; oh, bother, I can’t write this morning,” that will sometimes prime the pump and get it started. It is a matter of discipline. It is particularly a matter of discipline for a woman who has children or another job. Read More→
By Emma Ward | On March 30, 2017 | Updated October 4, 2022 | Comments (2)
Edited and introduced by Alice Walker, I Love Myself: When I am Laughing … and Then Again When I am Looking Mean and Impressive is an anthology of writings by Zora Neale Hurston.
This 1979 collection pays tribute to Hurston’s role in Black literature of the early twentieth century.
Hurston wasn’t known for being humble. She was upset over receiving second place in literary contests, yet confidently flaunted her talents. Walker wrote: “To know that second place, in such a society, has often required more work and innate genius than the first is to trust your self-evaluation …” Read More→