By Sarah Wyman | On | Comments (0)
This critical analysis of The Yellow Wallpaper by Charlotte Perkins Gilman (1892) highlights a long short story (or short novella) considered a feminist literary classic. This story starts with a mystery: the house seems to have “something queer about it.”
As we read on, it becomes clear that the house is not the only thing strange about this story. The secluded, rented country home and the attic room the narrator inhabits come to represent or symbolize her situation and her very self.
She lives under her physician/husband’s care as a patient (deemed abnormal), subjected to the “rest cure” as a treatment for what appears to be postpartum depression.