Dear Literary Ladies

How can I develop a distinctive writing style?

Dear Literary Ladies,
How do I go about developing a distinctive writing style—one that will catch editors’ attention, and that readers everywhere will recognize as my unique voice?

I’ve been called a stylist until I really could tear my hair out. I simply don’t believe in style. The style is you. Oh, you can cultivate a style, I suppose, if you like. But I should say it remains a cultivated style. It remains artificial and imposed, and I don’t think it deceives anyone. A cultivated style would be like a mask. Read More→


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Are women authors held to different standards than men?

Dear Literary Ladies,

Do you think women writers are (or should be) judged by different standards than men?

To value praise or stand in awe of blame we must respect the source whence the praise and blame proceed, and I do not respect an inconsistent critic. He says, “If Jane Eyre be the production of a woman, she must be a woman unsexed.’

In that case the book is an unredeemed error and should be unreservedly condemned. Jane Eyre is a woman’s autobiography, by a woman it is professedly written. If it is written as no woman would write, condemn it with spirit and decision—say it is bad, but do not eulogise and then detract. I am reminded of The Economist. The literary critic of that paper praised the book if written by a man, and pronounced it ‘odious’ if the work of a woman. Read More→


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Dear Literary Ladies: Do you learn anything from reviews?

Dear Literary Ladies,

Is there anything to be gained by reading reviews of one’s books? For most authors, it’s hard to ignore reviews; what with Google alerts, Amazon, and Goodreads; everything’s in your face 24/7. What was your experience with reviews, and did you learn anything of value from them?

Talk of reviews! I subscribed to a clipping bureau and they come in shoals every day. So far I have received sixty-six [reviews of Anne of Green Gables ] of which sixty were kind and flattering beyond my highest expectations; of the remaining six two were a mixture of praise and blame, two were contemptuous and positively harsh. Read More→


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How can I find my unique writing voice?

Dear Literary Ladies,
My desire to be a really good writer exceeds nearly all else. But like a lot of artists, I fear what I want most. It’s like I’m tripping over my own feet. I’m self-conscious and that “trying too hard” style shows up in my writing. How can I get out of my own way and find my unique voice?

The business of writing is a personal problem and must be worked out in an individual way. A great many people ambitious to write, fall by the wayside, but if they are the discourageable kind it is better that they drop out. No beginner knows what [she] has to go through with or [she] would never begin. Read More→


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How do you develop ideas for plots?

Dear Literary Ladies, 
How does a writer develop plot, and more specifically, how do you develop scraps of ideas into plots?

When I start working on a book, which is usually several years and several books before I start to write it, I am somewhat like a French peasant cook. There are several pots on the back of the stove, and as I go by during the day’s work, I drop a carrot in one, and onion in another . . . When it comes time to prepare the meal, I take the pot which is nearly full and bring it to the front of the stove. Read More→


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