In 1992, the American writer Paul Auster used the French conceptual artist Sophie Calle as a thinly disguised character in his novel, Leviathan. Unlike Calle, who famously plunders the lives of others in service of her art, he asked her permission to do so. Delighted to be a character in a novel, she agreed.

And so this became a kind of game that ultimately takes the cliché of art imitating life — and vice versa  — to dizzying new heights.

In his description of the character, who he calls Maria, Auster accurately describes some of Calle’s real life projects, and in other cases, he makes up projects that sound as if they could have been done by here. His description of the fictional Maria gives the viewer insight into the real Sophie Calle: Read More→