Dear Literary Ladies

Dear Literary Ladies,
You seem like such a prolific bunch, but like the rest of us who live by our pen, you likely feel blocked from time to time. How does this funky, uncomfortable, and sometimes scary feeling play out in your mind?

The dark times that came to me as a writer, those sterile periods when it seemed that not only the inkwell but the wells within had dried, were suffered alone. There doubtless have been and are creative writers who have not encountered this dark experience. The sense of aridity, the mind a desert, that usually follows the completion of a book. That sudden panic when every theme or plot your brain has cradled no longer so much as stirs. Read More→

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Dear Literary Ladies,
Do you think women writers are (or should be) judged by different standards than men? Read More→

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How can I develop a distinctive writing style?

By | On Aug 28, 2014 | Comments (0)

Dear Literary Ladies,
How do I go about developing a distinctive writing style—one that will blow editors away, and that readers everywhere will recognize as my unique voice? Read More→

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How do you develop ideas for plots?

By | On Aug 21, 2014 | Comments (0)

Dear Literary Ladies, 
How does a writer develop plot, and more specifically, how do you develop scraps of ideas into plots?

When I start working on a book, which is usually several years and several books before I start to write it, I am somewhat like a French peasant cook. There are several pots on the back of the stove, and as I go by during the day’s work, I drop a carrot in one, and onion in another . . . When it comes time to prepare the meal, I take the pot which is nearly full and bring it to the front of the stove.

So it is with writing. There are several pots on those back burners. An idea for a scene goes into one, a character into another, a description of a tree in the fog into another. When it comes time to write, I bring forward the pot which has the most in it. The dropping of ideas is sometimes quite conscious; sometimes it happens without my realizing it. I look and something has been added which is just what I need, but I don’t remember when it was added.

When it is time to start work, I look at everything in the pot, sort, arrange, think about character and story line. Most of this part of the work is done consciously, but then there comes a moment of unselfconsciousness, of letting go and serving the work.

— Madeleine L’Engle, Walking on Water: Reflections on Faith and Art, 1980

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How can I find my unique writing voice?

By | On Aug 15, 2014 | Comments (0)

Dear Literary Ladies,
My desire to be a really good writer exceeds nearly all else. But like a lot of artists, I fear what I want most. It’s like I’m tripping over my own feet. I’m self-conscioius and that “trying too hard” style shows up in my writing. How can I get out of my own way and find my unique voice? Read More→

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